| Stage works / Musiktheater |
| Don Gil von den grünen Hosen op. 35 (1921–1923) musical comedy in 3 parts for soli, choir and orchestra —180’ original author: Tirso de Molina; libretto: Walter Braunfels; language: German 2 3 2 2 – 4 2 1 0 – timp, perc, hp, hpsd ad lib, mand, guit, bagpipe, str; stage music: fl(2), cl, bagpipe, cast, hp, hpsd, mand, guit, vln(2), vla(2), vc cast: Don Pedro, bass; Dona Ines, soprano; Don Manuel de Guzman (Don Gil), tenor; Dona Juana, soprano; Dona Clara, alto; Don Rodriguez, baritone; Don Curzio, tenor; Caramanchell, baritone; Quintana, baritone; boys, singers, people choir: SATB première: 15/11/1924, Munich. Hans Knappertsbusch score and parts on hire libretto on hire for sale: UE7374•score (special order) UE7376•piano reduction (special order) Universal Edition |
| Galathea op. 40 (1924–1929) a Greek fairy tale in 1 act for soli, choir and orchestra — 80’ original author: Sylvia Baltus; libretto: Walter Braunfels 3 5 3 2 – 8 2 2 0 – timp, perc, xyl, hp, cel, glock, str cast: Galathea, coloratura soprano; 3 nymphs, high soprano, soprano and mezzo-soprano; Der Cyklop, bass; Acis, tenor; 2 fauns: baritone and bass; 3 little fauns, buffo tenor, buffo baritone, buffo bass choir: SATB première: 26/01/1930, Cologne. Eugen Szenkar score and parts on hire for sale: UE9869•piano reduction (special order) Universal Edition |
| Der gläserne Berg op. 39 (1928) a Christmas tale for voice and orchestra — 73’ text: Josefa von Elsner-Örtel; language: German 1 1 2 1 – 2 1 1 0 – timp, perc, pno, harm, cel. str première: 1928, Krefeld A. J. Benjamin / Boosey & Hawkes |
| Jeanne d’Arc – Szenen aus dem Leben der Heiligen Johanna op. 57 (1939–1943) symphonic poem for soli, choir and orchestra — 150’ source text: after the trial documents from the year 1431; libretto: Walter Braunfels 3 3 3 3 – 4 3 3 1 – timp, perc(5), hp, pno, alto sax, str; stage music: tpt(4) cast: Johanna, juvenile-dramatic soprano; archangel Michael, heroic tenor; Hl. Katharina, soprano; Hl. Margarete, mezzo-soprano; Karl von Valois, König von Frankreich, tenor; Erzbischof von Reims, high bass; Cauchon, Bischof von Beauvais, tenor; Vicar-Inquisitor, bass; Jakobus von Arc, Johannas Vater, bass; Colin, ein Schäfer, buffo tenor; Gilles de Rais, Marschall von Frankreich, genannt „Blaubart“, heroic baritone; Herzog von Alençon, tenor; Ritter Baudricourt, baritone; Lison, seine Frau, alto; Bertrand de Poulengy, tenor; Florent d’Illiers, high bass; Englischer Hauptmann, tenor; Page, boy soprano; 6 Bürger von Orléans, tenors, basses; Hofleute, Wachen, hohe geistliche Würdenträger, Gefolge des Königs, Engländer, Geharnischte, Mönche, Henker; choir: Richter (TB), Volk, Gesinde (SATB), Chorknaben (boys voices) first scenic première: 27/04/2008, Berlin. Burcu Uyar – St. Catherina; Yosep Kang / Felipe Rojas Velozo – König; Guillaume Antoine – Erzbischof; Peter Maus – Cauchon; Simon Pauly – Vicar Inquisitor; Mary Mills – Johanna; Ante Jerkunica – Jacobus; Paul Kaufmann – Colin; Morten Frank Larsen – Gilles; Deutsche Oper Berlin choir and orchestra; cond. Ulf Schirmer; after the idea and the conception of Christoph Schlingensief score and parts on hire libretto on hire for sale: UE33457•score (special order) UE33459•piano reduction (special order) Universal Edition |
| Prinzessin Brambilla op. 12 (1906–1908; revised version 1929/1930, op. 12/1) fantasy piece with 1 prologue and 5 scenes for soli, choir and orchestra — 120’ original author: E. T. A. Hoffmann; libretto: Walter Braunfels; original language: German cast: Fürst Bastaniello di Pistoja, baritone; Claudio (an actor), tenor; Giazinta (a young needle woman), soprano; Barbara, alto; Pantalone (a servant of Bastaniello), baritone; Gascon (a noble man), tenor; Brutz and Buffel (drinking mates of Claudio), bass and tenor, Der Wirt Cuniberto, bass; a young woman, soprano choir: SATB 3 3 4 3 – 4 3 3 1 – timp, perc(2), hp, cel, mand, guit, str – stage music: tpt, pno, glock(2), t-t première: 25/03/1909, Stuttgart. Max von Schillings première of revised version: 09/1931, Hannover. Rudolf Krasselt score and parts on hire for sale: UE7356•piano reduction (special order) Universal Edition |
| Spiel von der Auferstehung des Herrn op. 72 (1938/1954) for soli, choir and orchestra — 72’ based on the Alsfeld Passion by Hans Reinhard; language: German 2 1 1 2 – 2 2 1 0 – timp, perc, glockenspiel, org, hp, pno (ad lib.), str cast: first and second angel, soprano; third angel , alto; archangel Uriel / Michael and Gabriel, tenor; Maria Magdalena, soprano; Maria Jakobäa; mezzo-soprano; first and second soul, alto and soprano; choir of the elysian legion; choir of the poor souls; choir of devil; choir of the followers minimal cast of characters: three female voices, tenor solo and choir scenic première not yet scheduled first broadcast: 09/04/1954, WDR Cologne A. J. Benjamin / Boosey & Hawkes |
| Der Traum ein Leben op. 51 (1934–1937) a dramatic fairy-tale for soli, choir and orchestra — 140’ text: Franz Grillparzer; language: German 3 3 3 3 – 4 3 3 1 – timp, perc(4), hp, cel, pno, str, stage music: hn(4), tpt cast: Rustan, ein junger Krieger, tenor; Zanga, ein Mohr, sein Sklave, baritone; Massud, ein reicher Landmann / Der König von Samarkand, im Traum, bass; Mirza, seine Tochter / Gülnare, seine Tochter, im Traum, soprano; Der alte Kaleb, tenor; Der Mann vom Felsen, sein Sohn, speaking part; Karkhan, sein Neffe, tenor; eine Alte, alto; ein Kämmerer, tenor; ein Hauptmann, baritone; Genius des Traumes, soprano; Genius des Bewusstseins, soprano; Gefolge des Königs, Krieger, Gefangene; choir: Volk, Jäger (SATB) première: 25/05/2001, Regensburg. Guido Johannes Rumstadt score and parts on hire libretto on hire for sale: UE33315•study score (special order) UE33554•piano reduction (special order) Universal Edition |
| Ulenspiegel op. 23 (1910–1912) opera in 3 acts for soli, choir and orchestra — 120’ after texts by Charles de Coster; libretto: Walter Braunfels; language: German 3 3 5 4 – 6 4 3 1 – timp(2), perc, hp, str cast: Klas, bass; Till, tenor; Nele, soprano; Profoß des Herzogs Alba, high bass; tailor, tenor; soap boiler, tenor; carpenter, tenor; shoemaker, bass; cabinet maker, bass; first and second priest, tenor and bass; mayor of Vlissingen, high bass; choir première:04/11/1913, Stuttgart. Max von Schillings Musikverlag Ries & Erler |
| Verkündigung op. 50 (1933–1935) a mysterium in four parts and a prelude for soli, choir and orchestra — 130’ after texts by Paul Claudel; German translation: Jacob Hegner; language: German 3 3 3 3 – 4 3 3 1 – timp, perc, hp, cel, bells, str cast: Andreas Gradherz, bass; Jakobäus, high bass; Peter von Ulm, tenor; Mother, alto; Violäne, soprano; Mara, mezzo-soprano; Schulze, bass; first and second worker, tenor and bass; a woman, soprano; choir première: 04/04/1948, Cologne. Helmut Schnackenburg Edition Gravis |
| Die Vögel — The Birds op. 30 (1913–1919) a lyric fantasy in 2 acts for soli, choir and orchestra — 120’ source text: after Aristophanes; libretto: Walter Braunfels; language: German 3 2 2 2 – 4 2 3 1 – timp, perc(2), hp(2), cel, str; flute behind the scene cast: Hoffegut und Ratefreund, Bürger einer großen Stadt, tenor and high bass; Stimme des Zeus, baritone; Prometheus, baritone; Wiedhopf, einstens ein Mensch, nun König der Vögel, baritone; Nachtigall, high soprano; Zaunschlüpfer, soprano; Adler, bass; Rabe, bass; Flamingo, tenor; 1. Drossel, low soprano; 2. Drossel, soprano; 3 Schwalben und 2 Meisen, sopranos; 4 Wendehälse, tenors; 2 Kibitze, basses ballet, choir: SATB 3 2 2 2 – 4 2 3 1 – timp, perc(2), hp(2), cel, str; flute off-stage première: 30/11/1920, Munich. Bruno Walter score and parts on hire for sale: UE6423• score (special order) Universal Edition |
| Der Zauberlehrling — The Sorcerer’s Apprentice op. 71 (1951/1952) dance ballade for television for soli, speakers and orchestra — 30’ based on texts by Johann Wolfgang von Goethe 2 2 2 4 – 3 2 2 1 – timp,perc, str cast: apprentice, soprano; master, bass; raven, baritone; sorcerer’s apprentice, wizard, first broom, speakers première: 22/02/1954, NWDR Hamburg. Hans Schmidt-Isserstedt Family Archive |
| Orchestral works / Orchesterwerke |
| Ariels Gesang op. 18 (1910) after Shakespeare’s Tempest for small orchestra — 8’ 2 2 2 2 – 2 1 0 0 – timp, perc, hp(2), str première: 22/03/1911, Munich F. E. C. Leuckert Verlag |
| Carnevals-Overtüre op. 22 (1908) for large orchestra — 12’ 3 3 4 3 – 6 3 3 1 – timp, perc, str première: 08/02/1912, Stuttgart. Max von Schillings Musikverlag Ries & Erler |
| Divertimento op. 42 (1929) for small orchestra — 20’ 2 2 2 2 – 1 2 0 0 – timp, hp, alto sax, t.sax, str première: 1929, Sinfoniekonzert des Westdeutschen Funks, Walter Braunfels score and parts on hire for sale: UE34625•study score (special order) Universal Edition |
| Don Juan op. 34 (1922–1924) a classical-romantical phantasmagoria for large orchestra — 24’33’’ 3 3 4 4 – 4 3 3 1 – perc, hp, pno, str première: 13/11/1924, Leipzig. Gewandhausorchester, Wilhelm Furtwängler score and parts on hire study score available at Musikproduktion Höflich: www.musikmph.de Universal Edition |
| Der gläserne Berg op. 39/1 (1928) suite for small orchestra — 24’ 1 1 2 1 – 2 1 1 0 – perc, hp, cel, harm, pno. str(8 6 4 4 2) première: 1928, Krefeld score and parts on hire for sale: UE9790•score (special order) Universal Edition |
| Orchestersuite op. 48 (1933–1936) for orchestra (E minor) — 22’ 3 3 3 3 – 4 3 3 1 – timp, perc, hp, str première: 02/12/1936, Winterthur. Hermann Scherchen Family Archive |
| Phantastische Erscheinungen eines Themas von Hector Berlioz op. 25 (1914–1917) for large orchestra — 47’ 3 3 4 4 – 4 3 3 1 – perc, hp(2), str première: 19 or 20/11/1920, Zurich. Orchester der Tonhalle-Gesellschaft, Volkmar Andreae score and parts on hire for sale: UE6374•Kritischer Bericht (special order) UE6398•score (special order) study score available at Musikproduktion Höflich: www.musikmph.de Universal Edition |
| Präludium und Fuge op. 36 (1922–1926) for large orchestra — 17’ 4(3) 3 5(4) 4(3) – 4 3 3 1 – timp, str première: 10/1925, Krefeld. Rudolf Siegel score and parts on hire for sale: UE8368•score (special order) study score available at Musikproduktion Höflich: www.musikmph.de Universal Edition |
| Serenade op. 20 (1910) for small orchestra (E flat) — 23’ 3 2 2 2 – 4 2 0 0 – hp, str première: 09/01/1911, Munich. Ferdinand Löwe Musikverlag Ries & Erler |
| Sinfonia brevis op. 69 (1948) Symphony in F minor for orchestra — 31’ 2 2 2 2 – 4 1 3 0 – timp, perc, hp, str première: 04/04/1949, Cologne. Günter Wand A. J. Benjamin / Boosey & Hawkes |
| Sinfonia for Strings (F sharp minor) (arr.) – 40’ |
| Symphonische Variationen über ein altfranzösisches Kinderlied op. 15 (1908–1909) for orchestra — 18’ 2 2 2 2 – 4 2 3 1 – timp, perc, str première: 21/01/1909 Lübeck. Hermann Abendroth A. J. Benjamin / Boosey & Hawkes |
| Tänze und Melodien op. 35/1 (1921–1923) Suite from the opera Don Gil von den grünen Hosen for orchestra Zwischenspiel • Savoyardenlied • Arietta • Lied • Zwischenspiel • Finale 2 2 2 2 – 4 2 1 0 – timp, perc, hp, mand, guit, bagpipe (or tpt), str première: Great Britain score and parts on hire Universal Edition |
| Die Taubenhochzeit op. 30/1 (1913–1919) ballet music from the opera Die Vögel for orchestra — 12’ 2 2 2 2 – 4 2 3 0 – perc, hp, str score and parts on hire for sale: UE6478•score (special order) Universal Edition |
| Vorspiel op. 35/2 (1921–1923) from the opera Don Gil von den grünen Hosen for orchestra — ca. 6’ 2 2 2 2 – 4 2 1 0 – timp, perc, hp, str score and parts on hire for sale: UE34228•score (special order) Universal Edition |
| Solo instruments and orchestra / Soloinstrumente und Orchester |
| Hebridentänze op. 70 (1950–1951) for piano and orchestra — 25’ 2 2 2 2 – 4 2 1 1 – timp, perc, hp, str première: 08/12/1952, Karlsruhe Edition Gravis |
| Hexensabbat op. 8 (1906) for piano and orchestra — 8’ 3 3 3 2 – 4 2 3 1 – timp, perc, str Family Archive |
| Konzert für Klavier und Orchester op. 21 (1911) concerto for piano and orchestra (A major) — 30’ 3 3 4 3 – 4 3 3 1 – timp, perc, hp, str première: 20/11/1911, Berlin. Siegmund von Hausegger, Walter Braunfels, pno F. E. C. Leuckart Verlag |
| Konzertstück op. 64 (1946) concerto for piano and orchestra (C sharp minor) — 16’ 2 2 2 2 – 4 2 0 0 – timp, perc, str première: 29/09/1946, Hamburg. Eugen Jochum / Walter Braunfels Ricordi |
| Schottische Phantasie op. 47 (1932–1933) for viola solo and orchestra — 30’ 2 2(+bass cl) 2 – 4 2 1 0 – timp, hp, str première: 06/12/1933, Winterthur. Walter Braunfels / Oscar Kromer Robert Forberg / Ricordi |
| Sinfonia concertante op. 68 (1947) for violin solo, viola solo, two horns and string orchestra — 30’ première: 04/1949, Hamburg. Eugen Jochum Edition Gravis |
| Tag und Nachtstücke(1933–1934) for oblig. piano and orchestra — 30’ 2 2 2 2 – 4 2 2 0 – timp, perc, hp, str (posthumous work, formerly op. 44) Family Archive |
| String quartet / Streichquartett |
| String Quartet No. 1 op. 60 (1944) A minor — 37’ première: 1946, Cologne. Van Essen Quartett Ricordi |
| String Quartet No. 2 op. 61 (1944) F major — 30’ première: 1948, Cologne Musikverlage Hans Gerig KG |
| String Quartet No. 3 op. 67 (1946/1947) E minor — 29’ première: 1953, Winterthur. Winterthurer Streichquartett Ricordi |
| String quintet / Streichquinett |
| String Quintet op. 63 (1944/1945) F sharp minor — 40’ première: 1947, Munich. Kunkel Quartett Musikverlage Hans Gerig KG |
| Vocal works / Vokalwerke |
| Voice and orchestra / Stimme und Orchester |
| Abschied vom Walde op. 30/1 (1913) final song of Hoffegut from the opera Die Vögel for tenor and orchestra — 5’ source text: after Aristophanes; libretto: Walter Braunfels 2 2 2 2 – 4 1 0 0, timp, hp, str première: 30/11/1920, Munich. Bruno Walter score and parts on hire for sale: UE6548•score (special order) UE6550•piano reduction (special order) Universal Edition |
| An die Parzen op. 27/1 (1916–1918) from Zwei Hölderlin-Gesänge for baritone and orchestra — 4’ text: Friedrich Hölderlin première: 25/11/1918, Munich. Bruno Walter see also Zwei Hölderlin-Gesänge (page 44) score and parts on hire Universal Edition |
| Auf ein Soldatengrab op. 26 (1915) for baritone and orchestra — 8’ text: Hermann Hesse ; language: German 3 3 3 3 – 4 0 3 1 – perc, hp, bass tpt, str première: 25/11/1918, Munich. Bruno Walter score and parts on hire for sale: UE17781•score (special order) Universal Edition |
| Drei chinesische Gesänge op. 19 (1914) for high voice and orchestra — 16’ after Bethge’s Chinese Flute; language: German 3 2 3 2 – 4 2 3 1 – timp, perc, hp, cel, str première: 27/05/1914, Essen. Hermann Abendroth Family Archive |
| Der gläserne Berg op. 39 (1928) a Christmas tale for voice and orchestra — 73’ text: Josefa von Elsner-Örtel; language: German 1 1 2 1 – 2 1 1 0 – timp, perc, pno, harm, cel. str première: 1928, Krefeld A. J. Benjamin / Boosey & Hawkes |
| „Die Gott Minnende Seele“ op. 53 (1935–1936) song cycle after poems by Mechthild von Magdeburg; language: German for soprano solo and chamber orchestra — 15’ 1 1 1 2 – 1 0 2 1 – hp, str (small forces) première: 04/09/1947, Godesberg. Philipp Jarnach Musikverlage Hans Gerig KG |
| Romantische Gesänge op. 58 (1918/1942) for soprano and orchestra — 16’ based on poems by Clemens Brentano and Joseph von Eichendorff 2 3 3 2 – 4 2 3 1 – timp, hp, str première: 21/05/1947, Bremen. Hellmut Schnackenburg, Martha Schilling Musikverlage Hans Gerig KG |
| Der Tod der Kleopatra op. 59 (1944) a scene after William Shakespeare for soprano and orchestra — 15’ 2 3 3 2 – 4 2 2 0 – timp, perc, hp, A-sax, str première: 01/07/1946, Cologne. Günter Wand Edition Gravis |
| Der Tod fürs Vaterland op. 27/2 (1916–1918) from Zwei Hölderlin-Gesänge for baritone and orchestra — 9’ text: Friedrich Hölderlin, language: German première: 25/11/1918, Munich. Bruno Walter score and parts on hire Universal Edition |
| Von der Liebe süß’ und bittre Frucht op. 62 (1945) Japanese songs for soprano and orchestra — 17’ 2 2 3 2 – 4 2 3 0 – timp, perc, hp, str première: 04/1947, Frankfurt/Main. Bruno Vondenhoff Musikverlage Hans Gerig KG |
| Vorspiel und Prolog der Nachtigall op. 30/3 (1913) from the opera Die Vögel for coloratura soprano and orchestra — 10’ text: Walter Braunfels, after Aristophanes; language: German 3 2 2 2 – 4 2 0 0 – timp, hp(2), cel, str première: 30/11/1920, Munich. Bruno Walter score and parts on hire for sale: UE6870•score (special order) UE6428•piano reduction (special order) Universal Edition |
| Zwei Hölderlin-Gesänge op. 27 (1916–1918) for bass and orchestra — 13’ text: Friedrich Hölderlin; language: German An die Parzen (4’) • Der Tod fürs Vaterland (9’) 2(3) 2 3 2 – 4 2 3 1 – timp, hp, str première: 1922, Cologne. Hermann Abendroth score and parts on hire for sale: UE17785•score Universal Edition |
| Voice and piano / Stimme und Klavier |
| Drei Goethelieder (Klärchenlieder) op. 29 (1916/1917) for female voice and piano — 5’ première: 1919, Munich Family Archive |
| Fragmente eines Federspiels and Neues Federspiel op. 7 (1904) based on parts of Des Knaben Wunderhorn for voice and piano — 8’ première: 1911, Munich Musikverlag Ries & Erler |
| Geistliche Arien (W.A. Mozart, high voice) (arr.) |
| Musik zu Shakespeares Was ihr wollt op. 11 (1908) for voice and piano — 27’ première: 1908, Munich Musikverlag Ries & Erler |
| Nachklänge Beethovenscher Musik op. 13 (1910) for medium voice and piano — 2’50’’ première: 1913, Munich Musikverlag Ries & Erler |
| Sechs Gesänge op. 1 (1902) for voice and piano — 16’ after poems by Karl Joseph Wolfskehl, Walter Wenghoefer and Stefan George première: 13/02/1906 (selected songs) Musikverlag Ries & Erler |
| Sechs Gesänge op. 4 (1905) for voice and piano — 11’ based on texts by Friedrich Hölderlin, Friedrich Hebbel, Franz Hessel and Johann Wolfgang von Goethe première: 13/02/1906 (selected songs) Musikverlag Ries & Erler |
| Zwei Lieder nach Hans Carossa op. 44 (1932) for voice and piano — 4’ based on texts by Hans Carossa Family Archive |
| Choral works |
| Choir a cappella / Chor a cappella |
| Nachtzauber op. 41/2 (1930) No. 2 from Zwei Männerchöre for male choir a cappella — 3’ text: Joseph von Eichendorff; original language: German choir: TTBB for sale: UE1139•choral score (special order) Universal Edition |
| Sonnenuntergang op. 41/1 (1924–1925) No. 1 from Zwei Männerchöre for male choir a cappella (TTBB) — 4’ text: Friedrich Hölderlin; language: German score and parts on hire for sale: UE9616•choral score (special order) Universal Edition |
| Geistliche Lieder sacred choral works for male choir edited by Walter Braunfels for sale: UE9304•choral score (special order) Universal Edition |
| Jacob Handl (1550–1591) Geistliche Gesänge 1816 sacred choral works for male choir edited by Walter Braunfels Resonet in laudibus • Pueri, concinite • Canite tuba • Qui manducat • Gloria tibi, trinitas • O magnum mysterium choir: TTBB(TTBarBB) for sale: UE9306•choral score Universal Edition |
| Choir with orchestra / Chor mit Orchester |
| Die Ammenuhr op. 28 (1914–1919) for boys choir and orchestra — 16’ source text: Des Knaben Wunderhorn 2 3 2 4 – 4 3 1 0 – perc, hp(2), pno, str première: 1919, Lübeck, Franz von Hoesslin score and parts on hire for sale: UE7180•score (special order) UE6876•piano reduction (special order) Universal Edition |
| Konzert op. 38 (1928) concerto for organ, boys choir and orchestra — 22’ tpt(3), tbn, bass tbn, timp, b.d, str première: 02/1928, Leipzig. Günther Ramin, Wilhelm Furtwängler score and parts on hire Universal Edition |
| Soli, choir and orchestra / Soli, Chor und Orchester |
| Adventskantate op. 45 (1932–1933) for baritone solo, choir and orchestra — 20’ 2 3 2 3 – 4 3 3 1 – timp, perc, org, str première: 19/11/1947, Aachen. Felix Raabe Bärenreiter / Alkor-Edition Kassel |
| Große Messe op. 37 (1923–1926) for soprano, alto, tenor, bass, boys choir, mixed choir, organ and orchestra — 105’ choir: SATB 3 3 4 4 – 4 3 3 1 – timp, perc, hp, org, str première: 1927, Cologne. Hermann Abendroth score and parts on hire for sale: UE8614•score (special order) UE8617•piano reduction (special order) Kleine Messe op. 37b (short version (50’)): performed without Gloria and Credo, but with the Introitus and Graduale Universal Edition |
| Kleine Messe op. 37/1 (1923–1926) for soprano, alto, tenor, bass, boys choir, mixed choir, organ and orchestra — 50’ Introitus • Kyrie • Graduale • Offertorium • Sanctus • Benedictus • Agnus Dei choir: SATB 3 3 4 4 – 4 3 3 1 – timp, perc, hp, str première: 1928, Solingen, Heinrich Boell score and parts on hire for sale: UE9550•score (special order) UE9509•piano reduction (special order) short version of Große Messe without Gloria and Credo, but with the Introitus and Graduale Universal Edition |
| Offenbarung Johannis op. 17 (1909) for tenor solo, double-choir and large orchestra — 23’ language: German 4 3 5 4 – 8 5 4 1 – timp(2), perc, hp(2), organ (ad libitum), str première: 02/06/1910, Zurich. Volkmar Andreae Family Archive |
| Osterkantate op. 56 (1938–1944) for soprano solo, baritone solo, choir and orchestra — 20’ 2 3 2 3 – 4 3 3 1 – timp, perc, str A. J. Benjamin / Boosey & Hawkes |
| Passionskantate op. 54(1936–1943) for baritone solo, choir and orchestra — 27’ 2 3 2 3 – 4 3 3 1 – timp, perc, str première: 10/04/1957, Aachen. Theodor Bernhard Rehmann A. J. Benjamin / Boosey & Hawkes |
| Te Deum op. 32 (1920–1921) for soprano, tenor, mixed choir, orchestra and organ — 60’ choir: SATB 5(4) 3 5(3) 5(3) – 4 3 3 1 – timp, perc(2), hp(2), pno, org, str première: 28/02/1922, Cologne. Hermann Abendroth score and parts on hire for sale: UE7072•score (special order) UE7075•piano reduction (special order) UE7264•Kritischer Bericht Universal Edition |
| Weihnachtskantate op. 52 (1934–1937) for soprano solo, baritone solo, choir and orchestra — 25’ langugage: German/Latin 2 3 2 3 – 4 3 3 1 – timp, perc, str première: 11/01/1950, Aachen. Felix Raabe Bärenreiter / Alkor-Edition Kassel |
| Solo instruments / Solo Instrumente |
| Piano solo / Klavier Solo |
| Bagatellen op. 5 (1907) for piano — 22‘15’’ première: 30/04/1908, Munich. August Schmid-Lindner Musikverlag Ries & Erler |
| Kleine Stücke zu vier Händen op. 24 (1913) for piano four hands — 11’ Edition Gravis |
| Kleine Kette für Michael op. 54/1 (1938) 6 pieces for piano — 10’ première: 1952, Cologne. Michael Braunfels Family Archive |
| Lyrischer Kreis op. 16 (1912) for piano — 13’10’’ première: 1912, Munich Musikverlag Ries & Erler |
| Studien op. 10 (1906–1908) six pieces for piano — 13’50’’ première: 03/06/1908, Munich. Walter Braunfels Musikverlag Ries & Erler |
| Variationen über ein altfranzösisches Kinderlied op. 46 (1919/1946) for two pianos — 29’ première: 1946, Überlingen Edition Gravis |
| Vierzehn Präludien op. 33 (1921) for piano — 25 for sale: UE7035•(special order) Universal Edition |
| Vor- und Zwischenspiele op. 31 (1918–1920) for piano première: 05/1920, Munich for sale: UE6623•(special order) Universal Edition |
| Orgel / Organ |
| Toccata, Adagio und Fuge op. 43 (1933–1942) for organ (F minor) — 19’ première: 04/11/1946, Bonn. Heinrich Boell Family Archive |